It may help to picture two girls.
Mori and Dori will be their names.
And what beautiful names they have:

Let us first understand the demure Dori.
Dori wants to die.
In her death she wants nothing more than to feel it.
Not the pain, no, the emotions that are beyond the pale.
Behind the veil of dying.
“Let me die” she says,
“Feeling everything important to life”
She wishes then,
To feel through death.

Now unto the outgoing Mori.
Mori wants to die.
In her death she wants nothing more than to die beautifully.
A tragic spectacle, may it be attractive and discussed.
Narrative behind the veil of death.
“Let me die” she says, 
“Embodying the beautiful tragedy of life”
She wishes then,
To identify through death.

Finally, we can get to the relationship between these two girls.
Mori Dori.
Mori Dori wants to live.
Either girl will see in the death of the other their purposes.
Dori, so concerned with feeling shall force her soul to linger longer past the objectification of death.
Mori, upon witnessing, will see the inspiring form of, not a body, but something that can be meaningfully identified with. 
Mori, so concerned with tragedy shall perform so dutifully that every emotion could be seen in her form.
Dori, upon witnessing, will see the the clear emotionality of death, allowing her to finally feel. 
After experiencing each other what need do they have to then die themselves? 
They have no need.
To resolve the desire to die:
Can only be life,

Mori Dori
We can only hope that they may stay together
These two girls, the best of friends 
Mori Dori 
Living happily